Category Archives: Languages and Linguistics
All language and linguistics related matters, including the Huliganov Russian Course and the Gold List Methodology can be found in here.
It’s interesting, is it not, to consider how many ways the English language has developed for saying that something is not something else. Now it seems that to get anywhere these days an article has to have a list of ten items in it. Let’s see if I get much of a readership by jumping on that bandwagon…
1. !=, ≠
In mathematical notation, we have for instance != or if someone wants to go to the trouble of finding the classical symbol ≠ (Unicode numer 2260) then they have a very elegant way of noting “is not equal to” in a mathematical or logical sense.
2. In-, im-, un-
Then we have the classic prefixes, which encapsulate the diglossia in English: un- prefixes grace Germanic roots in the main and in- or im- go with the Latin or French roots (the latter if the root begins with b, p, or m but for some reason not the other labials f and v) However, the cut-off is not strict, because in- can refer to something going into something also. So “information” does not mean a lack of formation – to get back to that idea you can non- or borrow un- from the Germanic stock for it, so for example you could comment that you found this whole article “uninformative”.
3. Dys-, dis-
Or there is disinformation. This dis- is an additional Latin based prefix showing that something has gone off in all directions, or in a wrong direction, with a more common version of that being dys- from Greek, which isn’t fussy about attaching to Latin roots either, so that you get dysfunctional people … Read the rest of this entry
This morning I received a question about how the present perfect tense works in English:
Is the following sentence correct in terms of grammar ‘Yet ongoing political stabilization has been beneficial for further political and legal development of the country’? I am a little bit embarrassed by the use of present perfect tense for the event which has not been completed yet but is progressing, so it is impossible so far to predict for sure an outcome of it.
Here is my reply.
The “has been” refers not to the state of completion of the stabilization, nor even that the benefits are already palpable and therefore contain some complete benefits. The use of this tense is predicated by the fact that we are still in the time period the writer has in mind. It does not really equate to perfective aspect, but to cut-off or periodization of times.
This is the difference between tense and aspect, in a nutshell.
Read the rest of this entry
Today since I finally have half an hour of free time in peace and quiet, I would like to come back to the very good question posed by Fintan (I won’t say his surname as that would identify him, I’ll leave you guessing which Fintan it is) several weeks ago already (sorry about that), and in particular the second part of his question where he raises the issue of activation and asks what I think about things like “full circle method” by Luca Lampariello.
The first thing I want to say, is far be it from me to detract from what any accomplished polyglot, be that Signor Lampariello (who is a capital fellow on top of being a great polyglot) or any other of the well-known polyglots who do follow some form of activation. I make the assumption that these people know what they’re doing, and that they do what they enjoy and what works for them.
If continually activating during the process of language learning is something that keeps you motivated in which you enjoy doing, then it’s valuable. Anything which keeps you going in the marathon of learning languages, is your friend. Anything which you find demotivating which detracts from the pleasure of doing it, is not your friend.
And in the above I said the most important thing that needed to be said. Having said that, I will now go on to explain the core of my own approach and philosophy with regard to the question of activating language knowledge in the whole course of study. Read the rest of this entry
One reader with the pleasant name of Marlon wrote in one comment recently the following great question, and thus coaxed me to impart some advanced goldlisting knowledge which I was keeping back for the book:
I am eager to start the Goldlist method. However, I need further clarification about scheduling. I read your post responding to Abdul some years back but I am still not sure how I can avoid distillations and new headlist overlapping. I do understand I could simply insert a batch of words and not use the step system, but it is not my desire to take that route.
I would prefer to use the step Goldlist method. I think I am most confused by time allotment. I decided to use the 20mins/25words/10min break format. When distilling to the first set (from 25 to 17), I believe you suggest use the same format, that is to use 20mins/25words/10mins. What about D2? Do I still need to use 20 mins to go from D1–>D2 (and D2—>D3)? In other words, do I perform as many distillations as possible after D1 is completed in the 20 min allotment? For example, Would it be prudent to distill maybe 2 sets from 17–>12 in one 20 min block?
I am looking forward to your response.
I will write the answer to this as a main article, partly because it’s a better way to get more readers to read it, and it is a good and useful topic for those who are using the Goldlist, and partly because I can use tables better in a new article than in a response.
I think it’s an excellent question, which shows that you’ve understood most of what I need you to understand in order to work successfully with the method.
I have in the past left people to fill in the blanks for this one themselves, as there are a number of ways in which you could fill in the blanks and they would all be good as long as the basic tenets are agreed to, and also I was leaving something back for the book, but just to give you an example of what works for me, imagine that you decide to do a project in which you have a good idea how many lines will be in the headlist in total, and lets say it’s going to be 3000 lines of headlist.
I would split that task into Batches, and each batch I give letters of the Alphabet, so Batch A, Batch B, etc.
Now because we want to avoid running into within two weeks of ourselves, as well as not have too long periods of not getting to review the same material (more than a quarter of a year is not necessarily harmful, but means you have little momentum, in practice, which can be demotivating) we need to plan it so that the first batch is the biggest batch, and then they get gradually smaller.
So the last batch will be 100 words, the second from last will be 200 words, etc.
Now follow me through this logic: Read the rest of this entry
I recently came across a fine example of how keeping language “simple” means that a really deep understanding of concepts becomes impossible. Thinking depends absolutely and directly on language – people say that the purest thinking is mathematics, but all that is is words and grammar replaced by symbols. 1 means “one” or “jeden” or “uno” or whatever that is in your language – I think I can pretty much guarantee nobody reading here has abandoned their language’s word for 1, 0 etc and simply thinks about those terms in the non-linguistic way a binary circuit regards them.
So when we simplify language and remove harder constructions and any vocabulary beyond a few thousand words, what happens? The BASIC ideas may be more understandable to more people, but they are like explanations given to children.
Let’s look at the examples I found. Both are from the same source and both refer to something familiar probably to all of us, namely: why do cut onions make us cry? First the Wikipedia entry in standard English:
Cut onions emit certain compounds which cause the lachrymal glands in the eyes to become irritated, releasing tears.
Chopping an onion causes damage to cells which allows enzymes called alliinases to break down amino acid sulfoxides and generate sulfenic acids. A specific sulfenic acid, 1-propenesulfenic acid, is rapidly acted on by a second enzyme, the lachrymatory factor synthase (LFS), giving syn-propanethial-S-oxide, a volatile gas known as the onion lachrymatory factor or LF. This gas diffuses through the air and soon reaches the eye, where it activates sensory neurons, creating a stinging sensation. Tear glands produce tears in order to dilute and flush out the irritant.
Eye irritation can be avoided by cutting onions under running water or submerged in a basin of water. Leaving the root end intact also reduces irritation as the onion base has a higher concentration of sulphur compounds than the rest of the bulb. Refrigerating the onions before use reduces the enzyme reaction rate and using a fan can blow the gas away from the eyes. The more often one chops onions, the less one experiences eye irritation.
The amount of sulfenic acids and LF released and the irritation effect differs among Allium species. In 2008, the New Zealand Crop and Food institute created a strain of “no tears” onions by using gene-silencing biotechnology to prevent synthesis by the onions of the LFS enzyme.
And now, the same, but from the Simple English Wikipedia set:
Why onions make eyes water[edit source]
When you cut an onion, you open some cells of the onion. Then, some chemicals react. When one chemical floats through the air and reaches your eyes, they sting. There are ways to keep the chemical away. You can:
- Cut the onion under water
- Keep the onion in the fridge, and cut when it is cold
- Leave the root end on until last
- Use a sharper knife
- Have a fan blowing away from you on the onion
- Wear goggles, like for swimming or skiing
The Simple Version keeps the practical parts, like cutting from the top, but it just can’t handle what the chemicals actually are.
The good news is of course that these “Hard words” are the most international and, paradoxically, it is often the “hard” words which give the least trouble to the polyglot, so you end up with multi-language speakers who tend to talk like this:
This gas is diffusing through air and is reaching soon eye, where it’s activate a sensory neurons, created stinking sensation.
And the equivalent in four to forty different languages.
I thought I’d note down a couple of things which have arisen in the course of my learning Turkish, which strangely reflect certain aspects of English. Some people might regard as completely coincidental such items appearing between languages from completely different groups — my question is how many such coincidences can there be before it becomes more than a coincidence?
1) adjectival suffix -LI
In Turkish, an adjective derived from a noun can be formed by adding -li or one of the equivalents of -li in vowel harmony. Example – ev (house) gives evli (having a house – ie married, compare the Spanish “casado”), tedbir is caution – having caution, ie “prudent” is “tedbirli”. Resim is picture, and resimli means illustrated. Interesting how this reflects the -ly of “shapely” in English.
2) Past tense in d or t. The suffix -di or -ti in Turkish closely reflects the way in which English forms past tense from most of its verbs
3) In English, the “geographicals” such as “where?”, “Here”, “there” all have a -re suffix. Same in Turkish, although you have to bear in mind that because of vowel harmony the suffix often appears as “ra”. “Where” is “nere” plus “de” making “nerede” if you mean “where at”, “nere” plus “ye” making “nereye” meaning “where to”, while nereden is wherefrom, “burada” means “here”, “orada” means “there”, etc.
This is in addition to the numerous similarities which can be explained by the fact that they appear in many languages because that’s what languages do, and also the later borrowings.
Turkish also gives us insights into the Russian language and into Ukrainian. The Russian expressions “my s toboy” or “soviet da lyubov” can be traced into Turkic, along with a sizeable amount of that vocabulary which Russian does not share with, for instance, Polish.
And of course for the Westerner Turkish offers an ease in to languages such as Arabic and Persian, given that in learning Turkish you will learn a certain quantity of loan words which you will recognise again coming to those languages.
If all this was not enough, and the logical, quite delightful structure of Turkish and the pleasantness of its sound were not enough, and the way it opens a route to a large country to explore for business or pleasure with about 80 million people, Turkish is also the best-known language and in a sense the mother ship for learning other Turkic languages, 4 out of the 5 Central Asia countries and also Azerbaydzhan as well as peoples found in many other countries, the Qirimtatarca and Tatars of Russia, the Uyghurs of China, among others. Turkish is a silk route into a very interesting, cross-continental linguistic adventure.
Today’s article is a continuation of the topic we started yesterday, namely the use of listening at graded speeds in order to improve our listening fluency.
There are two times during a large linguistic project when I recommend the use of audio-only all audio-primary approaches. The first of these is right at the beginning, in order to make sure that when we do open the books and start reading words and writing them out in our Goldlists, we already have an idea hhow the language sounds and how these words and phrases are pronounced. If we take a course such as Michel Thomas series, Pimsleur, Paul Noble, Innovative Language Learning, or something else of that kind, we equip ourselves with all that we need to end into a Goldlist project of possibly 100, 200, 500 etc hours having done our first maybe 50 hours of language learning without setting pen to paper, and without really reading anything much in the given language. I’m convinced that this is a natural approach – after all, little kids get to listen before they ever get to read and write, we learned our native language that way. At least in that order. Of course, babies get to listen for thousands and thousands of hours of speech before they develop the skills that we can develop in a more structured way, we would want to return to the experience of a newborn in the course of our language learning. Such a “Nicodemus Method”, would have certain drawbacks in terms of cost and also patience on the part of the host family.
However it is entirely unnecessary, since in most cases 50 hours of audio time at the outset is really all you need in order to progress confidently with the reading-and-writing approach that the Goldlist Method is, as long as you have access to quality materials.
These materials need to be some kind of structured course, whereas when you get to the end of the language project on Goldlist and you’re looking at the second time in which I’m recommending using audio-primary materials, namely to induce listening fluency based on an existing passive vocabulary, then you don’t really need to have materials in a structured course. As I said yesterday, you need to have a book – which may be a novel, a business book, a history book, a Christian book – even the Bible.
In the best situation you will be choosing a book which exists in your target language as the original, especially If we are talking about something like a novel or some other cultural artefact. I don’t really recommend poetry in most cases this, not at the outset in any case. Poetry is something to graduate to only at the truly advanced level of command of a foreign language on pain of simply sabotaging your chance to appreciate the fullness of the verse by becoming familiar with it when you do not yet have the apparatus to appreciate it. don’t get me wrong there certainly is a place for using poetry but I think here it would be wise to look at the range of poems available very carefully and to grade you’re reading so that first reading poets who use a language which is more similar to everyday speech. And by that I mean standard everyday speech. I am not recommending for example learners of English to kick-off with James Joyce’s Ulysses, even though there are some excellent recordings of that and some excellent translations into other languages. This is a novel which requires careful study even from native speakers, although that having been said, I did have the pleasure of being acquainted with the person who translated Finnegan’s Wake into Brazilian Portuguese, and that was a Russian lady from Harbin, believe it or not.
Such genii are few and far between, but I like to think that in as much as they are out there, they do read my things, and therefore I would want to put you off ploughing straight into poetry if that’s your thing, however most of us I would go prose first, then drama, then poetry.
So at this stage you need to select your book, being one in clear language of the sort that you would like to understood when it is spoken and let’s say that you found an accurate translation into your own language. If that’s not possible and you have to take a book which is either in its original in your language or where the original is in a third language and you’re dealing with translations into both your own language and the language you’re learning, then even though that is not normally the best thing to do, there are circumstances where it’s actually preferable – for instance if you’re setting out to become familiar with the Bible in the language of your study, or if you are going to be working in a field which is simply more developed in your native language and therefore the originals are all in your language but there are good translations into the study of language. Because you have a utility from simply reading a better book, there are times when it becomes preferable to accept that the translation should be in the learned language. Then there is also Glossika Method, named for Mike Campbell, in which he simply uses his own favourite English-language novels which he knows so well he could almost recite them verbatim from memory, and he collect them in a language as he wishes to study and simply reads them. Personally I would be bored by such an approach as I like a larger variety of reading, and to get into the particular literature and culture of the country concerned. In this I have exactly the same view as Steve Kaufman who also has been doing videos about this topic recently. Nevertheless, I can see that a certain languages you simply could run up against a lack of the preferred materials, and then you really have to see what there is and try to adapt that.
My suggestion is, to look first at what’s available as an audio book in the language of your choice. That’s where the bottleneck is likely to be, if there is a bottleneck. You can look up audio books in different languages using Google. You can refer to the Wikipedia article about audio books written in the language you are studying. Even if you’re not sure how to say audio book in the language you are studying you can go to the English Wikipedia article about them and then choose one of the 36 other languages which at the time of writing this article is being translated into – hopefully this may include the language you’re looking for. Quite a few languages mirroring that article do contain very helpful Web links to repositories of audio books, including free ones.
My first port of call is always to check Audible, but in cases where audible doesn’t have audio for the language concerned, there is still Amazon. Amazon sells audio on physical media while its subsidiary Audible has its own format which as I said in the above article is a very helpful format for our purposes. Audible itself contains quite a lot of novels read in the original in such languages as Spanish, Italian and Russian, and there are also French and German entire sites of Audible. Still it is a problem when we come to a minority languages, but still I would always check there first.
If googling the net in search of novels or other books which are read out in an audio format in the language of your choice does draw a blank, your next option is to select the book of your choice where there is both language versions and where you are motivated to read it in the language you are studying. Once you have selected it and determined that there is no audio version available, you have various options as to how to obtain the audio. There are cases where the author himself might be willing to go to the studio with you and produce the audio version. In many cases that will be a question to settle with his publisher. This might sound as though you’re getting into quite sizeable cash investments in order to get your audio, but you might be surprised at what can be achieved simply by asking people and giving them ideas, showing that there is demand, and being willing to volunteer at least some corporation and work on the project even if you cannot put cash into it.
Failing the ability to obtain official audio in the way mentioned above, the means of last resort is simply to get friends to read it.
If you are not in the country where the language is spoken then there is one more idea and that is to go to the Embassy (if it’s a national language) and ask to talk to the cultural attache and see if the Embassy is able to help you put such a project together.
in the case of the audio that you need right at the beginning, just going back to that topic before we close, usually there is not such an issue with this given that there tends to be a lot of beginners courses, and if you can’t find one which is pure audio in the Pimsleur mould then there are always the likes of Teach Yourself and Colloquial. This means that you’d be doing the audio while already Goldlisting a course, which is of course not ideal, but in these cases – I’m talking about languages like Maltese or Bulgarian which don’t even have a Pimsleur (Pimsleur does about 50 languages – not all at the full 30 lessons it seems – but Maltese, Welsh, Bulgarian and some other surprising ones are not covered when two separate forms of Armenian and languages like Twi and Ojibwe or Swiss German are) – you can either look on their local market and their bookshops if you go there, or try internet bookstores if they have them, or it’s a question of abandoning the audio-only 30 hours at the start of a whole new language and then it’s Goldlisting from the word Go.
- Calling an audible: An indie author’s audiobook adventure (headfirstintothedeepend.typepad.com)
- Audio Books (bookmajor.wordpress.com)
- Rediscovering Audio Books (camas.typepad.com)
- Audible.com (coolstuffmikeloves.wordpress.com)